略歴
赤松 正行（あかまつ まさゆき） 博士（美術）
1961年、兵庫県生まれ。メディア作家。京都市立芸術大学大学院美術研究科修了、博士（美術）。情報科学芸術大学院大学（IAMAS）メディア表現研究科研究科長・教授。クリティカル・サイクリング主宰。インタラクティブな音楽や映像作品を制作、近年はモビリティとリアリティをテーマに、テクノロジーが人と社会へ及ぼす影響を制作を通して考察している。代表作に書籍「2061:Maxオデッセイ」、「iOSの教科書」、アプリ「Decision」、「Spatial Poetry」、展覧会「ARアート・ミュージアム」、「タレスの刻印」などがある「セカイカメラ」や「雰囲気メガネ」といった先進的なIT製品の開発にも携わり、アートの領域を広げようとしている。
1984 神戸大学文学部哲学科心理学専攻を卒業
1984 神戸市役所に入庁、社会福祉主事に就任
1997 岐阜県立国際情報科学芸術アカデミー（IAMAS）准教授に就任
2002 岐阜県立国際情報科学芸術アカデミー（IAMAS）教授に就任
2006 京都市立芸術大学大学院美術研究科を修了、博士（美術）取得
2011 情報科学芸術大学院大学（IAMAS）教授に就任 2021
情報科学芸術大学院大学（IAMAS）研究科長に就任
Brief Profile
Masayuki Akamatsu, Doctor of Arts
Born in Hyogo Prefecture in Japan in 1961. Media Artist. He completed his postgrad at the Kyoto City University of Arts and is a Doctor of Arts. He is a professor and dean of the Institute of Advanced Media Arts and Sciences (IAMAS). He is the leader of Critical Cycling. He creates interactive music and video works, and in recent years has focused on the themes of mobility and reality, examining the impact of technology on people and society through his activities. Representative works include the books “2061: Max Odyssey”, “iOS Textbook”, the apps “Decision”, “Spatial Poetry”, the exhibitions “AR Art Museum”, “Thales’ Engraving”, etc. He is also involved in the development of advanced IT products such as “Sekai Camera” and “FUN’IKI ambient glasses” and is trying to expand the field of art.
1984 – Graduated from Kobe University, Faculty of Literature, Department of Philosophy, Majoring in Psychology
1984 – Became employed at Kobe City Hall and became a social worker
1997 – Appointed associate professor at the International Academy of Media Arts and Sciences (IAMAS)
2002 – Appointed professor at the International Academy of Media Arts and Sciences
2006 – Completed postgrad at the Graduate School of Arts, Kyoto City University of Arts and received his Doctorate of Arts
2011 – Appointed as a professor at the Institute of Advanced Media Arts and Sciences (IAMAS)
2021 – Appointed as Dean of the Institute of Advanced Media Arts and Sciences
プロフィール
赤松 正行（あかまつ まさゆき） 博士（美術）
1961年、兵庫県生まれ。メディア作家。神戸大学文学部哲学科心理学専攻卒業。神戸市役所ソーシャルワーカーを経て、1997年、岐阜県立国際情報科学芸術アカデミー（IAMAS）助教授に就任。2002年より教授。2006年、京都市立芸術大学大学院美術研究科にて博士（美術）を取得。2011年より情報科学芸術大学院大学メディア表現研究科教授、現在は研究科長。クリティカル・サイクリング主宰。
10代よりエレクトロニクスを用いた音楽制作を始め、1980年代からコンピュータを使用、音楽だけでなく映像やネットワークなど様々なメディアへと制作範囲を広げる。特に、作品と鑑賞者の関係性や、作品自体の自律性に注目し、人とメディアの可能性を拡張することに興味を持っている。
これまでの作品には、50台のコンピュータによって音と映像を提示する「incubator」、鑑賞者の時間体験をリアルタイムに映像化する「Time Machine!」、パフォーマーの身体をコンピュータ制御する「Flesh Protocol」、画像解析を駆使した映像音響による即興ダンス「陶製の身体」などがある。ソロやセッションによる演奏活動、および「2061:Maxオデッセイ」や「iOSの教科書」などの著作もある。
近年はモバイル・デバイスにおける表現研究や、人と社会への影響の考察に取り組んでいる。「Banner」や「Decision Free」など開発したiOS用ネイティブ・アプリケーションは50個を超え、App Storeで公開している他、数十台のiPhoneによる展示・パフォーマンス「Snowflakes」、「Okeanos Buoys」や、ARを応用した「セカイカメラ」、「ウロボロスのトーチ」、そしてウェアラブル・デバイス「雰囲気メガネ」などへと展開している。
連絡先
〒503-0006
大垣市加賀野4丁目1-7 IAMAS
赤松正行
電話: 0584-75-6600（代表）
FAX: 0584-75-6637
電子メール: aka (a) iamas.ac.jp
ホームページ: http:/akamatsu.org/
Profile
Masayuki Akamatsu, Doctor of Arts
Masayuki Akamatsu is a media artist, born in Hyogo, Japan, in 1961. He studied psychology at Kobe University and worked as a social worker for the city of Kobe until 1997, when he started to work at the International Academy of Media Arts and Sciences as an associate professor. From 2002, he became a professor at the same university. Akamatsu received the degree of Doctor of Arts at the Graduate School of Art of the Kyoto University of Arts in 2006. He became a professor at Institute of Advanced Media Arts and Sciences in 2011. He is the Dean of the institute now.
Since the 1980’s he made use of the computer to create works not only in the field of music, but also in the field of video arts and networking, focusing on the relation between an artwork and the audience and the autonomy of an artwork itself.
His characteristic works include: “incubator” (2000), which projects audio-visual events with fifty computers; “Time Machine!” (2002-), which visualizes the audience’s experience of time in real time; “Flesh Protocol” (2002), which controls the performer’s body with a computer; “Earthen Bodied Augur” (2007), which realizes the audio-visual improvisational dance using an image analysis. He has published many books including “2061:Max Odyssey” (2006) and “iOS Textbook” (2011).
Recently, Akamatsu’s research is concerning the expression of mobile devices and their personal and social influence. He has produced over fifty iPhone applications and published them at the App Store. His mobile artworks include: “Sekai Camera” (2008) and “Uroboros Torch”(2012) which combine a reality and an information, and “Snowflakes” (2008), “Okeanos Buoys” (2010) and “Sync for Japan”(2011) which project audio-visual experiences over dozens of iPhones. He also directed a wearable device “FUN’IKI Ambient Glasses” (2014) and founded a study group “Critical Cycling” (2017).
Contact
Masayuki Akamatsu
IAMAS
4-1-7 Kagano
Ogaki, Gifu, 503-0006 JAPAN
Phone: +81-584-75-6600
Fax: +81-584-75-6637
E-mail: aka (a) iamas.ac.jp
Homepage: http://akamatsu.org/
Curriculum Vitae
1961 Born in Hyogo, Japan
1980 Studied Pychology at Kobe University
1984 Worked at Kobe City Goverment
1997 Associate Professor at Sound/Media Arts, at IAMAS
2002 Professor at Sound/Media Arts, at IAMAS
2006 Awarded Doctor of Ars at Kyoto City University of Arts
2021 Dean at IAMAS
Activities Shortlist
2022 Installation “Thales’ Engraving”, Tokyo, Japan
2022 Installation “Prehistoric [Kofun-period] Bicycle”, Ikeda, Japan
2022 Research “Practical Cycling”, Shimanami etc., Japan
2021 Presentation “Connecting Bubbles”, Gwangju, South Korea
2021 Exhibition “Selected artworks from ARART”, Tokyo, Japan
2021 Event “Hybrid groud ride”, online, worldwie
2020 Event “Newtype group picnic”, online, worldwie
2020 Event “Newtype groud ride”, online, worldwie
2020 Application “LocAR”, Hida, Japan
2019 Exhibition “Yoro Art Picnic 2019”, Yoro, Japan
2019 Event “Cooktail Bicycle”, Nagoya, Japan
2019 Installation “Vanishing Ride”, Ogaki, Japan
2018 Exhibition “Yoro Art Picnic 2018”, Yoro, Japan
2018 Installation “Re-cycling Wheel/Roue de re-cyclage”, Yoro, Japan
2018 Exhibition “AR Wonderland”, Sendai, Japan
2017 Exhibition “Yoro Art Picnic 2017”, Yoro, Japan
2017 Exhibition “AR Wonderland”, Nagoya, Japan
2017 Articles “Critical Cycling”, Ogaki, Japan
2016 Exhibition “Critical Cycling”, Ogaki, Japan
2016 Exhibition “AR Art Museum”, Sendai, Japan
2016 Performance “Kafka-chanz on the table”, Eugene, USA
2015 Exhibition “Hashima: Lights and Shadows”, Hashima, Japan
2015 Exhibition “Kafka-chanz at the window”, Ogaki, Japan
2015 Exhibition “Art of Life”, Ogaki, Japan
2014 Exhibition “ARART in Slovenia”, Trbovlje, Slovenia
2014 Exhibition “amana x ARART”, London, England
2014 Product “FUN’IKI Ambient Glasses”, Barcelona, Spain
2013 Exhibition “AR Museum – Seeing Object Moving”, Tokyo, Japan
2013 Exhibition “ARART Double Sense”, Seoul, Korea
2013 Exhibition “Double Sense”, Kobe, Japan
2012 Exhibition “Uroboros Torch”, Sapporo, Japan
2012 Exhibition “Secret Emotions”, Stuttgart, Germany
2012 Performance “ATOMxGALAXIESxEP-4”, Tokyo, Japan
2011 Exhibition “Sync for Japan”, Kyoto, Japan
2011 Exhibition “Okeanos Buoys II”, Kyoto, Japan
2011 Exhibition “ATOMxGALAXIESxSSQ”, Seoul, Korea
2010 Exhibition “Okeanos Buoys”, Incheon, Korea
2010 Exhibition “Masayuki Akamatsu”, Kyoto, Japan
2010 Workshop “Space Algorithm”, Ogak, Japan
2009 Exhibition “Soulfood”, Schorndrof, Germany
2009 Exhibition “Snowflakes”, Hong Kong, China
2009 Book “iPhone SDK Textbook”, Tokyo, Japan
2008 Performance “Snowflakes”, Shanghai, China
2008 iPhone Application “SekaCamera”, San Francisco, USA
2008 iPhone Applications, App Store, Worldwide
2007 Exhibition “Characters”, Berlin, Germany
2007 Performance “CAMP07”, Stuttgart, Germany
2007 Exhibition “ATOMxGALAXIES”, Seoul, Korea
2006 Performance “ISEA”, San Jones, USA
2006 Performance “NIME”, Paris, France
2006 Exhibition “Takeway Festival”, London, UK
2005 Performance :Isoho-monogatari”, Kobe, Japan
2005 Exhibition “Golden Numbers”, Seoul, Korea
2005 Exhibition “TIME MACHINE!”, Kobe, Japan
2004 Exhibition “Time Machine! at Ars Electronica Festival”, Linz, Austria
2004 Performance “ISEA”, Helsinki, Finland
2004 Performance “IFAT”, Taipei, Taiwan
2003 Performance “Carl Stone + Masayuki Akamatsu Duo Tour”, Fukuoka, etc.,Japan
2003 Exhibition “Time As Media”, Tokyo, Japan
2003 Performance “Robotic Music”, Kobe, Japan
2002 Exhibition “Time Machine! at ISEA”, Nagoya, Japan
2002 Exhibition “Video Topique”, Strasbourg, France
2002 Performance “Trans Max Night”, Kobe, Tokyo, Japan
2001 Performance “Media Art Festival”, Hamamatsu, Japan
2000 Exhibition “Hon’ami Koetsu Exhibition”, Philadelphia, USA
1999 Exhibition “incubator”, Kobe, Japan
1998 Exhibition “infodepot”, Ogaki, Tokyo, Japan
1997 Exhibition “World Remix”, Kobe, Japan
1996 Performance “ManMade”, Nishinomiya, Japan
1995 Exhibition “soundtronics”, Tokyo, Kyoto, Japan
Books
2011 “iOS Textbook” /「iOSの教科書」, Wook/Puboo
2009 “Max Textbook” /「Maxの教科書」, Rittor Music,Inc.
2009 “iPhone SDK Textbook” /「iPhone SDKの教科書」, Shuwa System
2008 “iPhone and Android” /「iPhoneの本質 Androidの真価」, Nikkei BP
2006 “2061:Max Odyssey” /「2061:Maxオデッセイ」, Rittor Music,Inc.
2005 “The Jitter Book” /「The Jitter Book」, Cameo Interactive
2004 “The Max Book” /「The Max Book」, Cameo Interactive
2003 “Mac OS X Pocket Reference” /「Mac OS X ポケットリファレンス」, Gijutsu-Hyohron Co., Ltd.
2002 “200CDs for Techno/Electronica” /「200CD テクノ/エレクトロニカ」Rippu Shobo Publishing Co., Ltd.
2002 “Macintosh Terminology Dictionary” /「Macintosh最新なんでも用語辞典」, Gijutsu-Hyohron Co., Ltd.
2002 “Cocoa+Java” /「Cocoa＋Java～Mac OS Xプログラミング」, Kobunsha
2001 “Trans Max Express” /「トランスMaxエクスプレス」Rittor Music,Inc.
2000 “Mac OS Pocket Referemce” /「Mac OS ポケットリファレンス」, Gijutsu-Hyohron Co., Ltd.
1996 “Visual Programming with Prograph CPX” /「Prograph CPXによるビジュアルプログラミング入門」, Gijutsu-Hyohron Co., Ltd.
1996 “Magical Max Tour” /「マジカルMaxツアー」, D’Art
1995 “Visual Architecht!” /「Visual Architect!」, D’Art
1995 “HyperTalk 2.4 Reference” /「HyperTalk 2.3活用リファレンス」, Gijutsu-Hyohron Co., Ltd.
1994 “Code Resource” /「コードリソース」, BNN
1994 “Macintosh Hardware” /「マックのハードがわかる本」, Gijutsu-Hyohron Co., Ltd.
1993 “Multimedia Programming” /「マルチメディア・プログラミング」, BNN
1992 “Macintosh Amusement Bible”「Macintosh Amusement Bible」, Gijutsu-Hyohron Co., Ltd.